photo exhibition

HERsteading at Brookside Museum

// Author: m_romais // 0 Comments

HERsteading is on view, this time at Brookside Museum, part of the Saratoga County Historical Society through August 1st.

OPENING RECEPTION: Friday, July 7, 5-8pm
Brookside Museum, 6 Charlton Street, Ballston Spa, NY

Brookside is a little gem of a museum upstate NY and it feels really right to have this show there. The more I mull over this series, the more I want to dive in deeper. For now, I added more captions, excerpts from Jenna’s writing that I feel reflect her life and message: find a way to live the life you desire most. Then, shine bright and strong. Don’t surrender or settle.

…We need to help each other shine. We do it through memory and kindness, second chances, love and forgiveness. You don’t have to believe in anything to be part of those things. All of us can take a moment to think about what inside us needs to change, and who we love that we don’t want to let down, and to be grateful we’re still alive to do those things.
–Jenna Woginrich, excerpt from Luceo non Uro, Cold Antler Farm blog)

I am so pleased to exhibit at Brookside Museum, thanks to the Saratoga Arts Art in Public Places program.

The museum will be carrying the exhibition catalogue and the large gift cards from the series which are signed on the back by Jenna (Cold Antler Farm) and I! They are also available here if you can’t make the show in person.

More about HERsteading here:

NYC Exhibition: Sul do Brasil

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SUL DO BRASIL
Photographs by Miriam Romais

EXHIBITION EXTENDED THROUGH FEBRUARY 13, 2017.

Meet the Artist Receptions:
Tuesday September 13 & Friday October 14, 2016

Romais photo exhibit, photo by ©Fernando Navarro

“I am not the same, having seen the moon
shine on the other side of the world.”
– Mary Anne Radmacher

With Brazilian Independence Day around the corner (Sept 7 but in NYC we’re celebrating on Sept 4), it is a great time to share my exhibition at Berimbau again, along with the photos from the first opening reception on July 26 – thanks to the amazing photographer and friend, Fernando Navarro. I’m grinning like a fool in most of them; could not be helped… I was surrounded by family and friends and loving every second of the gathering.

I’d like to have another reception or two before the show closes (happy-hour get togethers), so be sure to follow my photo page on Facebook for the latest announcements (@miriamromaisphotos).

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Thanks to everyone that made the opening: Lola Flash, Groana MelendezRon Herard, Ray Llanos, Jill Waterman, Phyllis Galembo, Leticia Lunardi, Veronica Commock, Dani Cattan, Fernando Navarro, my parents and Mario de Matos (owner of Berimbau)!

About the series:
Sul do Brasil is a personal journey through southern Brazil, where my family still lives. Even though I lived there as a kid, the series is still a process of discovery for me and a somewhat nostalgic one at that. The images show the southern countryside of Brazil as I criss-crossed my way to visit relatives, bringing up long forgotten memories and making new ones.

Berimbau do Brasil is worth the trip (brazilian food, caipirinhas & art!); it’s located at 43 Carmine Street (bwtween Bedford & Bleeker). Tel: (212) 242-2606
brasil@berimbaunyc.com

Nourish

// Author: m_romais // 0 Comments

One of my images from Cold Antler Farm was accepted into a group show (February-March 2016). What excites me the most about this, is the show’s complex theme:

Nourish: Food as Sustenance and Pleasure

Here I am documenting Jenna, a former vegan that now raises animals as food. Complicated? You bet. The food industry and its politics constantly feed us ideas (pun intended) about what food should be, or what it should look like.

Our society –in the U.S. for example–is vastly disengaged from the reality of where our food comes from, how it gets to our tables. I am quite certain my image in the show (below) will be appalling to some – but it doesn’t change the truth that human beings consume living things in order to survive, and some of that happens to be animal meat.

“Traveling Butchers (Sam, his father and his son) make quick work of the harvesting; Jenna feels this is much more humane than having the animals taken to a slaughterhouse, scared and stressed until they are dispatched days later. She says her animals have only one bad moment in their lives (ie, when they are put down for harvesting)”

Jenna and I have spoken at length about this, and because she writes and blogs about her life – she has been questioned about this for years, sometimes aggressively (see Huffington Post article). Her switch back to eating and raising animals for food is her way of not ‘buying in’ to the factory farm industry which is horrid to animals, people and the environment.

Jenna tells me, “the truth is there is no meal we can eat without killing. None. A trip to your local grocery store for tofu and spinach leaves may not include a single animal product, but the harvesting of such food costs endless animal lives.”

I eat animals I raise myself, because I want to eat local food
that causes less animal suffering and empowers my local community.

If I take a step back and look beyond my backyard, I think of the deforestation in the Amazon that made way for cattle ranches (thanks McD‘s), and commercial crops that destroy the habitat of countless wild animals. Birds and bees fall prey to pesticides, and fertilizers are being made from petrochemicals. I had no idea that vegetables were such voracious beings although I often wondered about the “organic materials” and bone meal ingredients in plant food… then I think back a hundred years to what farmers did before current technology and practices. They had to use what was on hand, not some chemical imbued concoction.

Being a vegetarian/vegan will remove oneself from participating in the factory farm cycle, but might not be an effective mechanism towards changing it (which was one of Jenna’s goals). Some people don’t have an economic choice and opt for processed food which are filled with chemicals, antibiotics, hormones, or steroids. Others will rely on packaged beef or chicken in the market without considering how it lived or died. Few are afforded a choice of where their food comes from, and I devour stories about urban gardens and programs that are teaching kids to grow their own vegetables. Cue young farmer, stage right.

Maybe I tend to think about how food is made because of childhood memories on my grandmother’s farm, where pigs I knew as piglets eventually became the food on our table (and I also maaaaaay have named all the chicks after they hatched). Or maybe it comes from understanding hunger. Frederick Kaufman, author of Bet the Farm: How Food Stopped Being Food, says that hunger may be the most horrible symptom of the global food malady, but it is just one symptom. “The price of basic farm goods drives world hunger, but it also drives the push for sustainability, the rise of long-distance food from nowhere, the scourge of cheap and unhealthy foods, the single-minded drive to own the smallest molecules of food, the declarations and pledges of the politicians, the global mania for markets and the profit margins of many of the world’s largest corporations.” They very people that raise our food often can’t afford to keep it or their farms.

Food choices in general, start with a personal preference but are so much more. I say “choices” deliberately, because food decisions are often based on hunger, not the privilege of choice. After all, “worrying about tomorrow can be a luxury if you don’t know how you’ll survive today.” Food is our nourishment, yet it comes embroiled with questions of ethics, socio-economics, geography and politics. I can’t help but respect the practice and ideology of raising one’s own food. A complex issue? Hell yeah, and one of the motivators behind creating this documentary (solo show coming this summer at Saratoga Arts).

Until then, enjoy the exhibition and accompanying catalogue Nourish: Food as Sustenance & Pleasure, the 15th Annual Joyce Elaine Grant Photography Exhibition, curated by Dr. Rebecca Senf, Center for Creative Photography & Phoenix Art Museum.

On view: February 15 to  March 9, 2016
East/West Galleries, Texas Woman’s University
Fine Arts Building, corner of Texas & Oakland St, Denton, TX 76204
Gallery Hours: M-F 9-4pm, and weekends by appointment

Click here for a list of participating artists.

Image: © Miriam Romais. Pig and Sheep Become Food, 2014. Homesteading: Cold Antler Farm series. Archival pigment print, ​10″ x 15″   “Traveling Butchers (Sam with is father and his son Josiah) make quick work of the harvesting; Jenna feels this is much more humane than having the animals taken to a slaughterhouse, scared and stressed until they are dispatched days later. She says her animals have only one bad moment in their lives (ie, when they are put down for harvesting).”